as i stood waiting for the light to change, i watched her attempt and fail the trick twice. but by the time the light eventually did change, she had reset her position and was set to try it again. walking across the street, i realized that - in order to get to my destination, the corner store - i'd pass directly behind her from the cameraman's perspective. like so:
although i made a concerted effort not to even glance at the trick attempt, i heard them both cheering as i reached the other side of the street, which i assume meant that she successfully landed it and that the take was a keeper. so i can only hope that his directorial style favours close-ups rather than wide-angle shots that include disinterested, disheveled passersby.
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